You must make your own blunders, must cheerfully accept your own mistakes as part of the scheme of things.

...I have never known a movement in the theater that did not work direct and serious harm. Indeed, I have sometimes felt that the very people associated with various uplifting activities in the theater are people who are astoundingly lacking in idealism.

I suppose that Paderewski can play superbly, if not quite at his best, while his thoughts wander to the other end of the world, orpossibly busy themselves with a computation of the receipts as he gazes out across the auditorium. I know a great actor, a master technician, can let his thoughts play truant from the scene.

The actor who lets the dust accumulate on his Ibsen, his Shakspere [sic], and his Bible, but pores greedily over every little column of theatrical news, is a lost soul.

Be reflective...and stay away from the theater as much as you can. Stay out of the theatrical world, out of its petty interests, its inbreeding tendencies, its stifling atmosphere, its corroding influence. Once become

As soon as I suspect a fine effect is being achieved by accident I lose interest. I am not interested...in unskilled labor. ...The scientific actor is an even worker. Any one may achieve on some rare occasion an outburst of genuine feeling, a gesture of imperishable beauty, a ringing accent of truth; but your scientific actor knows how he did it. He can repeat it again and again and again. He can be depended on.

You must make your own blunders, must cheerfully accept your own mistakes as part of the scheme of things.