I do know that I like what I am doing now. My focus right now is making the best daywear possible. When it feels right to expand into other areas, I will.

I do know that I like what I am doing now. My focus right now is making the best daywear possible. When it feels right to expand into other areas, I will.

My line is all based on what I would wear, what I love to wear... It's very selfish! The first thing I ask myself is, "Is this something I would want for myself?" If so, I make it.

My upringing did influence me to a certain extent. I grew up going to private school, and we'd have these really cute uniforms, but you'd only have so much sway over how you could "customize" them. I would line my blazers, I would dart my skirts, I'd change the buttons, I would do anything I could to make them unique. And when I started designing, I found myself referencing those roots. I love a sort of preppy, gender-bender vibe. I wanted to incorporate the feel of menswear into the looks. That definitely comes from my private school days.

Photography really is all about lines, and so is clothing. I worked for Oberto Gili for a couple of years after I was at ICP; we worked in fashion, travel, interior design, everything. I was inspired by his styling choices within fashion photography, and I think those experiences helped steer me towards fashion design. I love photography as a medium, so I think I will always take inspiration from it.

It sounds crazy, but I promise you it's true; wearing red lipstick really can change the course of a night out

I would go with my husband to the tailors where he gets his shirts made, and I would watch the bespoke process. I would ask them, "Would you be able to make that for me?" And they would always say, "Well, yes, but no." They were very French about it. I decided I would just do it for myself. And I started doing that. Then other people would notice, and want it. So I started doing things for friends, little pieces, and my own line grew that way.