No matter how slow the film, Spirit always stands still long enough for the photographer It has chosen.

Students were taught by doing.

At first glance a photograph can inform us. At second glance it can reach us.

Photographers who come up with power never get accused of imitating anyone else even though they photograph the same broom, same street, same portraits.

When I look at pictures I have made, I have forgotten what I saw in front of the camera and respond only to what I am seeing in the photographs.

...innocence of eye has a quality of its own. It means to see as a child sees, with freshness and acknowledgment of the wonder; it also means to see as an adult sees who has gone full circle and once again sees as a child - with freshness and an even deeper sense of wonder.

To engage a sequence, we keep in mind the photographs on either side of the one in our eye.