No matter how slow the film, Spirit always stands still long enough for the photographer It has chosen.

Let the subject generate its own photographs. Become a camera.

Before he has seen the whole, how unusually perceptive and imaginative the person must be to evolve the entire sequence by meditating on its single, pair or triplet of essential images.

The camera is first a means of self-discovery and a means of self-growth. The artist has one thing to say - himself.

In putting images together I become active, and excitement is of another order - synthesis overshadows analysis.

I'm always mentally photographing everything as practice.

Camera and eye are together a time machine with which the mind and human being can do the same kind of violence to time and space as dreams.