I often begin movies with music in my head; it's a very important dimension to me. Not just the music itself, but how to use music in film: when and how and subtlety. I don't like to be too sweet in my stories, and I like the abrasive clang, the contrasting of sounds and cultures.

I am still attracted to stories about people who are considered to be on the outside of society. I still seek inspiration from those stories.

Every film is a political act; it's how you see the world.

Never take no for answer, and try to make films that turn you on.

Bollywood actors are so set in what they want, and the way they want it. And why shouldn't they be? But it is not the same in Hollywood, because the love of the audience is not the same.

What is really important to me is a sense of humour and a mischief about life. Life is just too boring otherwise.

'Salaam Bombay' didn't put a halo on the poor. Instead, it said that they will teach us how to live.