As for garden photographers, how differently they see things. With what ease the camera seems to compose a picture of great beauty with its discriminating lens. The naked eye can't censor some ugly sight on the periphery of vision; the photographer takes the perfect shot and picks for us just what we need to see.

There can be no other occupation like gardening in which, if you were to creep up behind someone at their work, you would find them smiling.

Surely ruminating and lolling, squandering slivers of time as you ponder on this or that plant; perching about the place on seats chosen for their essential and individual quality, are other whole aspects of being a gardener. Why shouldn't we? We sit in other people's gardens, why not in our own.

At the heart of gardening there is a belief in the miraculous.

To be able to walk under the branches of a tree that you have planted is really to feel you have arrived with your garden. So far we are on the way: we can now stand beside ours.

When the ice of winter holds the house in its rigid grip, when curtains are drawn against that vast frozen waste of landscape, almost like a hibernating hedgehog I relish the security of being withdrawn from all that summer ferment that is long since past. Then is the time for reappraisal: to spread out, limp and receptive, and let garden thoughts rise to the surface. They emerge from some deep source of stillness which the very fact of winter has released.

Crouchers move through a garden at a stoop: naming, gasping, horraying, admiring or coveting plants; Gapers saunter, smiling or sighing at what they find, succumbing to an intangible beatitude that takes them for a brief escape into another dimension. Both sorts of gardener are besotted; both get their hands dirty; think and talk gardening; but on the threshold of another's garden, each use a different set of whiskers.