There is no "End" to be written, neither can you, like an architect, engrave in stone the day the garden was finished. A painter can frame his picture, a composer can notate his coda, but a garden is always on the move.

Sitting in your garden is a feat to be worked at with unflagging determination and single-mindedness. . . . I am deeply committed to sitting in the garden.

Green thoughts emerge from some deep source of stillness which the very fact of winter has released.

There is no "End" to be written, neither can you, like an architect, engrave in stone the day the garden was finished. A painter can frame his picture, a composer can notate his coda, but a garden is always on the move.

At the heart of gardening there is a belief in the miraculous.

Crouchers move through a garden at a stoop: naming, gasping, horraying, admiring or coveting plants; Gapers saunter, smiling or sighing at what they find, succumbing to an intangible beatitude that takes them for a brief escape into another dimension. Both sorts of gardener are besotted; both get their hands dirty; think and talk gardening; but on the threshold of another's garden, each use a different set of whiskers.

Surely ruminating and lolling, squandering slivers of time as you ponder on this or that plant; perching about the place on seats chosen for their essential and individual quality, are other whole aspects of being a gardener. Why shouldn't we? We sit in other people's gardens, why not in our own.