I think that there is a purity aesthetic, like "I just make art because I'm an artist and I can't help it. I don't care what the critics say." But different mediums have a different relationship with the public. If you're in a performing medium it's hard not to place some weight on whether or not people come to your shows, or whether or not they're enjoying them.
MirahI do notice that my songs fit all over the map, even in terms of the colloquialisms in them. The songs come out with their references intact, almost unheeded by me. It's like they existed somehow before they met me with their relationship to the tradition, and then they just end up coming through me at that moment because of my relationship to some certain kind of music that I've listened to in my life. I know that sounds a little bit woooey.
MirahSo when you're talking about lyrics in the context of music, it's not just about what the words mean, and what you were thinking about when you wrote it. It's not cognitive in that same way. It's almost like music turns words into touch, which is hard to describe, like the feeling of your shirt on your back. It's a pretty delicate thing to try to put into words. You just feel it.
MirahMy identity is mostly as a songwriter and lyricist and singer. I also have a lot of production ideas but I have my own limitations in terms of what instruments I'm actually proficient at and what I can do myself, so I really love working with people on the production end; just really going for it with orchestration and instrumentation and production. That's where I see myself going: maintaining my integrity and abilities as a songwriter, but applying it to different contexts, to where I can put on a huge feathered costume and roll around in the ocean.
Mirah