I do experience something pretty commonly with every song; there's some moment where it clicks into its own life with its own emotional impact that I feel, and even though technically I'm the one writing the song, it's like watching a storm come in.

I know that a lot of songwriters write about a break up. It's a really popular topic. I think heartbreak is the number one thing people write about. I could say that's narcissistic somehow because they want everybody to admire how pained they are. But I actually do think there's something beautiful and uplifting about knowing that you're not the only one who is experiencing or has experienced that kind of devastating loss. Everyone's experienced that.

I do feel songwriting is a bit of its own creature and the writerliness of it...it's freeing. It's good for people who have an innate resistance to any restrictions whatsoever.

I have a hard time really claiming my place as a songwriter or as doing anything of import really because I feel like I'm tooting my own horn in a way.

My identity is mostly as a songwriter and lyricist and singer. I also have a lot of production ideas but I have my own limitations in terms of what instruments I'm actually proficient at and what I can do myself, so I really love working with people on the production end; just really going for it with orchestration and instrumentation and production. That's where I see myself going: maintaining my integrity and abilities as a songwriter, but applying it to different contexts, to where I can put on a huge feathered costume and roll around in the ocean.

I'm doing more deep listening, which is part of the role or job of the songwriter. I think with a lot of songwriting, songs sing themselves to you tonally and also lyrically. And it's not necessarily your own visual memories that are writing the song. It's like there are words that you can catch out there and you have to be able to see and hear them.

I'm a terrible sentence finisher. I think that's why I'm a songwriter. When you write a song, there are no rules, and I think that I talk as if there are no rules. But then I run this great risk of no one understanding me at all.