I think some modesty actually serves me by just accepting that I am an instrument. I'm not trying to match up to an ideal as some kind of challenge. It's more like I use the family tree of music and song that I feel has fit me as an encouragement; like it's a bed to rest in rather than a challenge to try to better myself over, to try to.
MirahI have a hard time really claiming my place as a songwriter or as doing anything of import really because I feel like I'm tooting my own horn in a way.
MirahI do notice that my songs fit all over the map, even in terms of the colloquialisms in them. The songs come out with their references intact, almost unheeded by me. It's like they existed somehow before they met me with their relationship to the tradition, and then they just end up coming through me at that moment because of my relationship to some certain kind of music that I've listened to in my life. I know that sounds a little bit woooey.
MirahThe center for me is my heart, actually, and my emotional connection with the work. That's where authenticity comes from. It's also the first thing that hits me about other people's work, or watching other people perform, "Do I believe the person?" Even if I don't like what someone is doing or if I don't like the sound, if I believe them, I do like them. I am able to appreciate them as an artist.
MirahWhat I try to communicate is that there's a lot of crossover between that feeling of romantic heartbreak and this devastating feeling of knowing that we've punched a hole in the planet and it's spilling out oil and destroying the Gulf of Mexico and the ecosystem and seabirds and every creature.
Mirah