So the recordings were these immersive landscapes, and yet, unlike the performances that almost no one would see, I had a sense that these could live forever. I was just starting to get my head around the democratic aspect of art; I didn't want to make rarefied things that were either alienatingly obscure or elite and art-worldy, so a recording that anyone could buy was a great medium.

It would require constant vigilance to not replace each person with my own fictional version of them.

An erratum is a correction inserted into a book after publication. It's a nice thing to collect because you can't go after them, you just come upon them. In 25 years I've only found about 12.

I actually don't have a great surplus of ideas. Some evolve very slowly, over many years, but I sort of trust that all of the interesting ones will become something that I eventually end up doing.

LA isn’t a walking city, or a subway city, so if someone isn’t in my house or my car we’ll never be together, not even for a moment. And just to be absolutely sure of that, when I leave my car my iPhone escorts me, letting everyone else in the post office know that I’m not really with them, I’m with my own people, who are so hilarious that I can’t help smiling to myself as I text them back.

I mean obviously we're all dealing with a lot more strangers due to the web. I'd say it has more to do with the quality of interactions. When you're physically interacting with someone, it forces you to be more present and probably a little more uncomfortable. You have to tolerate being outside the comfort of your own home.

I am very sincere. Some people are always kidding, so when you're not, it's going to seem annoying to them.