We don't really believe in mowing the lawn; we do it only to avoid unnecessary engagement with the neighbors.

Somewhat predictably, I'm much more comfortable in front of an audience - and a big audience is even better - than faced with one stranger. This always seems like a bit of a failing on my part, as a human. I think that's also why I put myself situations where I'm forced to engage in other ways.

I mean obviously we're all dealing with a lot more strangers due to the web. I'd say it has more to do with the quality of interactions. When you're physically interacting with someone, it forces you to be more present and probably a little more uncomfortable. You have to tolerate being outside the comfort of your own home.

I guess like any writer or screenwriter I'm alone in my own world so much of the time that I'm often trying to force myself out of my world. Into more risk. A less controlled kind of inspiration. I'm so keenly aware of how easy it's getting to not leave the house, with Amazon, especially.

Life is just this way, broken, and I am crazy to hope for something else.

As a woman filmmaker it's pretty important that you have some basis of confidence that you're coming from, because, as I got closer to LA, there's less and less women. There's less and less mirrors for who you are.

Very few women have become famous for being who they actually are, nuanced and imperfect. When honesty happens, it's usually couched in self-ridicule or self-help. Dunham doesn't apologize like that-she simply tells her story as if it might be interesting. The result is shocking and radical because it is utterly familiar. Not That Kind of Girl is hilarious, artful, and staggeringly intimate; I read it shivering with recognition.