There's always the sense that you should strike while the iron's hot and while there are all these opportunities, but that's not the way I get ideas. It has to be more organic, building up through living and through experiencing things.

I mean obviously we're all dealing with a lot more strangers due to the web. I'd say it has more to do with the quality of interactions. When you're physically interacting with someone, it forces you to be more present and probably a little more uncomfortable. You have to tolerate being outside the comfort of your own home.

If you read my short stories, there's a lot of sex in those in all different ways. To me, it's a really good, useful thing to get to have in a story. And in a movie, it's amazing, because you actually get to show things.

People ask, 'Why would you cast yourself in your movie?' And, for me, it's more like an achievement that I am now not playing all the parts, you know? Like I was for so long, in all my performances and a lot of my short movies. So, that's where I'm coming from, not out of a kind of actress-y sense of myself. I mean, I don't really see myself as an actress, but more from performance: this is how you make something. You do it yourself. You're in it and you write it. I think I keep doing it that way, 'cause it's my way. It's what makes me feel like I know how to do it.

I am very sincere. Some people are always kidding, so when you're not, it's going to seem annoying to them.

I've always been terrified of getting used to something that is actually killing me-a relationship or a job. But in those cases, you can count on a friend to say something. The Internet is different, because all my friends are in the same relationship.

Nothing really mattered, and nothing could be lost.