Maybe that's why people take pictures of themselves, to avoid being described.

Narrative and characters have always interested me. I never tried to alienate an audience. Of course, gradually, I wanted a bigger and bigger space to draw people in, so it's very organic [growth].

Writing a novel was like I had some Play-Doh to work with and could just keep working with it - doing a million drafts and things changing radically and characters appearing and disappearing and solving mysteries: Why is this thing here? Should I just take that away? And then realizing, no, that is there, in fact, because that is the key to this. I love that sort of detective work, keeping the faith alive until all the questions have been sleuthed out.

Very few women have become famous for being who they actually are, nuanced and imperfect. When honesty happens, it's usually couched in self-ridicule or self-help. Dunham doesn't apologize like that-she simply tells her story as if it might be interesting. The result is shocking and radical because it is utterly familiar. Not That Kind of Girl is hilarious, artful, and staggeringly intimate; I read it shivering with recognition.

When I was fifteen, a dark shape came into my room at night. It was dark, but it glowed, which is the first of many facts you will have to tackle with your imagination. It wasn't in the shape of a person, but right away I knew it was like a person in every way except for how it looked. As it turns out, our looks are not the main thing that makes us human.

Since I started making art, I've always had some kind of project that was really about and for other people, because I think I just need that balance to feel sane myself — you know?

I really did not feel okay about any of this, and there was really nothing I could do about any of it.