Making a movie: It's so hard. It's the hardest of all the things I do.

There's always the sense that you should strike while the iron's hot and while there are all these opportunities, but that's not the way I get ideas. It has to be more organic, building up through living and through experiencing things.

If you read my short stories, there's a lot of sex in those in all different ways. To me, it's a really good, useful thing to get to have in a story. And in a movie, it's amazing, because you actually get to show things.

There was nothing in this world that was not a con, suddenly I understood this. Nothing really mattered, and nothing could be lost.

Was she terrifyingly beautiful? Was she so ignorant she didn't deserve the truth? Was she also a liar and thus it was something they did together? I don't believe in psychology; which says everything you do is because of yourself. That is so untrue. We are social animals, and everything we do is because of other people, because we love them, or because we don't.

Sometimes I lie in bed trying to decide which of my friends I truly care about, and I always come to the same conclusion: none of them. I thought these were just my starter friends and the real ones would come along later. But no. These are my real friends.

I'm interested in what the virtues of all those things are, especially for the kind of person who's made their own world that revolves around them, like writers do. It seems especially precious.