Making a movie: It's so hard. It's the hardest of all the things I do.

... we had once called out hello into the cauldron of the world and then run away before anyone could respond.

We really wanted to know all the unknowable things about each other and how we were the same and how we were different, if we even were, maybe nobody is.

That day I carried the dream around like a full glass of water, moving gracefully so I would not lose any of it.

I walked down the hall and saw that [she] was sitting on the floor next to a chair. This is always a bad sign. It's a slippery slope, and it's best just to sit in chairs, to eat when hungry, to sleep and rise and work. But we have all been there. Chairs are for people, and you're not sure if you are one.

There's always the sense that you should strike while the iron's hot and while there are all these opportunities, but that's not the way I get ideas. It has to be more organic, building up through living and through experiencing things.

People ask, 'Why would you cast yourself in your movie?' And, for me, it's more like an achievement that I am now not playing all the parts, you know? Like I was for so long, in all my performances and a lot of my short movies. So, that's where I'm coming from, not out of a kind of actress-y sense of myself. I mean, I don't really see myself as an actress, but more from performance: this is how you make something. You do it yourself. You're in it and you write it. I think I keep doing it that way, 'cause it's my way. It's what makes me feel like I know how to do it.