Look at the sky: that is for you. Look at each person's face as you pass them on the street: those faces are for you. And the street itself, and the ground under the street, and the ball of fire underneath the ground: all these things are for you.

When I was fifteen, a dark shape came into my room at night. It was dark, but it glowed, which is the first of many facts you will have to tackle with your imagination. It wasn't in the shape of a person, but right away I knew it was like a person in every way except for how it looked. As it turns out, our looks are not the main thing that makes us human.

I can guarantee you nothing I do is a conscious attempt to inject something in.

Most of life is offline, and I think it always will be; eating and aching and sleeping and loving happen in the body. But it's not impossible to imagine losing my appetite for those things; they aren't always easy, and they take so much time. In twenty years I'd be interviewing air and water and heat just to remember they mattered.

We had loved people we really shouldn't have loved and then married other people in order to forget our impossible loves, or we had once called out hello into the cauldron of the world and then run away before anyone could respond.

My way into making movies - into making things is general - has been through performing.

This person realizes that staying home means blowing off everyone this person has ever known. But the desire to stay in is very strong. This person wants to run a bath and then read in bed.