David Bergen is a master of taut, spare prose that's both erotic and hypnotic. . . .

I had a thought, on the way home from the rock field, that the things we don't know about a person are the things that make them human, and it made me feel sad to think that, but sad in that reassuring way that some sadness has, a sadness that says welcome home in twelve different languages.

It bothered me in a kind of Charles Manson way to have a brown smear of blood on my wall but I also liked it because every time I looked at it I was reminded that I was, at that very moment, not bleeding from my face. And those are powerful words of hope, really.

We Poor Cousins don’t care at all though, except for when we’re on welfare, broke, starving, unable to buy cool high-tops for our children or pay for their university tuition or purchase massive fourth homes on private islands with helicopter landing pads. But whatever, we descendants of the Girl Line may not have wealth and proper windows in our drafty homes but at least we have rage and we will build empires with that, gentlemen.

I love road trips. You get into this Zen rhythm; throw sense of time out the window.

I wondered if it was possible to donate my body to science before I was actually dead. I wondered if a disease were to be named after me what the symptoms would be.

The other day I found her passport in her drawer when I was putting away my dad's laundered handkerchiefs. I wish I hadn't. For the purpose of my story, she should have it with her. I sat on my dad's bed and flipped through page after empty page. No stamps. No exotic locales. No travel-worn smudges or creases. Just the ID information and my mother's black-and-white photo which if it were used in a psychology textbook on the meaning of facial expressions would be labelled: Obscenely, heartbreakingly hopeful.