There are governments who are regulating things in different ways and those forms of regulation often don't square up. So you have a real legislative mess, in the meanwhile various bad people are developing all sorts of tools to exploit the Internet for their own gain and the militaries are beginning to develop some extremely frightening offensive capabilities in cyber. Yet all of this is taking place outside of any international agreement or even framework.
Misha GlennyThe criminal justice system - although this applies less to the U.S., where rehabilitation is not seen as a valuable contribution to criminal justice - in Europe where rehab is supposed to be integral, we have no way of rehabilitating skilled hackers. On the contrary what we do is we demonize them and continue to do so after they come out of jail because we restrict their access to computers by law. Crazy world, crazy people.
Misha GlennyThe Internet has fashioned a new and complicated environment for an age-old dilemma that pits the demands of security against the desire for freedom.
Misha GlennyThe sort of sweeping parochial espionage and attempts to extract information from all sorts of institutions are well documented, but I think in this context there's a danger of oversimplifying and seeing that sector of cyber as a one-way street.
Misha GlennyWhat has happened is that we have seen a shift in the past twenty years in the very concept of hacking. So hacking twenty years ago was a neutral, positive concept. Somebody who was a hacker was someone with advanced computer skills, which could expose vulnerabilities and could explain why systems worked well or worked badly and they were generally regarded as an asset. Over the past twenty years, a combination of media and law enforcement has changed the perception of the concept so that it has almost always, if not invariably, a pejorative sense attached.
Misha GlennyWhen you're researching things that have happened, the clear narrative arc is not there already. This is the problem of writing nonfiction for me - writing nonfiction which is about serious subjects and has serious political and social points to make, yet which is meant to be popular to a degree - what happens when the facts don't fit a convenient narrative arc? I guess that for a lot of nonfiction writers that is a central challenge.
Misha Glenny