When you're researching things that have happened, the clear narrative arc is not there already. This is the problem of writing nonfiction for me - writing nonfiction which is about serious subjects and has serious political and social points to make, yet which is meant to be popular to a degree - what happens when the facts don't fit a convenient narrative arc? I guess that for a lot of nonfiction writers that is a central challenge.

The anonymity issue is a big question. As long as people can disguise cyber attacks and as long as there is a sort of question mark over who is responsible, then the problem will continue to exist. And of course what happens in response to that is that there is a move to try and refashion the Internet so that anonymity is impossible, which of course leads to fears among all sorts of groups - civil rights groups, NGOs, and political parties - that the Internet is going to be used simply as a method of control. So these are very sensitive issues.

The Internet obviously changes things; we've seen that in the music industry above all else. As an author, I'm now having to deal with the fact that it's happening in the publishing industry as well. And publishing is going through a very difficult time. Some view it as positive, some negative, but nobody really knows how to deal with it. If you're an author it looks very challenging because your work can be pirated so easily and there's very little you can do about it.

There are two types of companies in the world: those that know they've been hacked, and those that don't.

The Internet has fashioned a new and complicated environment for an age-old dilemma that pits the demands of security against the desire for freedom.

The issue of cyber-security, cyber-crime, and cyber-malfeasance has an impact on a whole range of issues, not the least of which is civil liberties, political activity, and so on and so forth.

When you're researching things that have happened, the clear narrative arc is not there already. This is the problem of writing nonfiction for me - writing nonfiction which is about serious subjects and has serious political and social points to make, yet which is meant to be popular to a degree - what happens when the facts don't fit a convenient narrative arc? I guess that for a lot of nonfiction writers that is a central challenge.