Some people even think that I'm still just not right for it [ballet]. And I think it's shocking because they hear those words from critics saying I'm too bulky, I'm too busty. And then they meet me in person and they're like, you look like a ballerina. And I think it's just something maybe that I will never escape from, those people who are narrow-minded. But my mission, my voice, my story, my message, is not for them. And I think it's more important to think of the people that I am influencing and helping to see a broader picture of what beauty is.

Once I became a professional, maybe 19 or 20, I really started to try to figure out who I was, as a woman and as an individual.

For me, I was in school and I pushed myself to be a good student, just because that's the type of person I was, but I never had a connection to any of it. I don't think my brain functioned in a way that was at its height, when I was in school. I needed something like art to really value the way my mind works. I wasn't reaching my full potential by sitting in a classroom and reading from a book. My mind didn't work that way.

I do think Under Armour is setting a new example for what a ballerina is, and that you can be feminine and an athlete and represent what a woman is at the same time.

I know there are a lot of eyes on me now from young girls, and it makes me so proud. The only Black woman examples aren't Rihanna and Beyoncé. It makes me proud that I am a classical ballerina and they can look at me and see another way to succeed. That is setting a new standard.

The word "prodigy" was thrown around a lot, but I didn't understand what that meant, or the weight of it. It didn't really mean anything to me, until I was older and could look back on it.

Ballet is number one, everything else is scheduled in the small windows when I'm not in the studio taking class, rehearsing, on stage or on tour.