I am in a key moment. I kind of understand that I have to use my work more completely without being ashamed.

We, as designers, have a job with so many possibilities and connections. We are connected to so many different portals, from art to movies to music to design. Fashion is always evolving. Actually, the field is huge. I don't think there is another profession that is so open to so many possibilities.

What you wear represents you to the world, especially now, when communication between people is so fast. Fashion is a universal language that everyone understands.

I always have this idea to create and display activities somewhere else around the world, but in fact it's been very difficult since the start, as you have to find the right place that can represent, or could be as significant as, your ideals. It rarely happens.

Designing for me is a very complex process. There are many ideas that I want to express in one object, very often contradictory. The creative process in Miu Miu is completely different from that of Prada. Miu Miu is not as complicated and thought out as Prada. Rather than being young, Miu Miu is immediate Prada is very sophisticated and considered; Miu Miu is much more naive. The solution, when I am working on Miu Miu, has to come immediately, instinctively, spontaneously with whatever is available at the moment. If I think three times, I stop.

I would say that clothes are an excuse for living in the world.

Ugly is attractive, ugly is exciting. Maybe because it is newer. The investigation of ugliness is, to me, more interesting than the bourgeois idea of beauty. And why? Because ugly is human.