The truth is that genetics has robbed me of hair. But it's not interesting to blame genetics.

One of the nice things about licensing music to movies or advertisements is you can reach a lot of people who normally wouldn't hear music.

I know, in my heart of hearts, I don't do things for money.

It takes a unique woman to see me as any sort of catch.

In the course of my life, I've made some happy songs but it's the more sort of like pathos-laden, emotional, melancholic music that either I make or that other people make that really resonates with me.

In 1991 I did an interview wherein I described myself as a 'teetotal Christian,' which was an exaggeration, although I do like tea and Christ.

In some of the greatest recordings ever made, the performance is a part of the recording. Dylan's 'Rainy Day Women No. 12 and 35' is all about the esthetic of that performance. You can hear the room.