If you're inclined to dismiss L.A. as a place of unrelenting vapidity and generic 1980s architecture, then you're doing yourself and L.A. a huge disservice, and you're just not looking hard enough.

In some of the greatest recordings ever made, the performance is a part of the recording. Dylan's 'Rainy Day Women No. 12 and 35' is all about the esthetic of that performance. You can hear the room.

In some ways it's hard to see electronic music as a genre because the word "electronic" just refers to how it's made. Hip-hop is electronic music. Most reggae is electronic. Pop is electronic. House music, techno, all these sorts of ostensibly disparate genres are sort of being created with the same equipment.

I like to quote Homer Simpson: 'I'm like a chocoholic except for alcohol.' I come from a long line of alcoholics. It's funny because when I first started making records, I was at the tail end of a period of sobriety, so I somehow got this reputation as Captain Sober.

It's much easier to have a diversified career as an electronic musician than it is as a drummer. Nothing against drummers. If you're a drummer, you just wait around for people to ask you to play drums. But if you have your own studio and can make music, you have the ability to approach music a lot differently.

The moment somebody becomes famous, 15 years gets knocked off their life. They're gonna get divorced a few times, they're gonna be addicted to things, they're gonna be in therapy.

I did a cover of the James Bond theme, and I felt like such a fraud, because the original is so good.