The most emotional part is when I go into my studio every day and pretty much never have an idea of what's gonna happen.

One of the problems with being relatively conscious and human, is that you want to help everybody.

One can only snort so many ants and have so much sex before one starts to long for the comfort and companionship of a good book.

Factory-farm lobbyists are so powerful and so well funded and they do everything in their power to hide the truth about farming. They keep the farms and slaughterhouses in places that most people never visit; they execute huge marketing campaigns in an effort to make animal production look like a happy, nice, benign institution.

If you don't want to be beaten, imprisoned, mutilated, killed ot tortured, then you shouldn't condone such behaviour towards anyone, be they human or not.

I find London really exciting but there's a lot of vicious success here. Like New York, there's a lot of incredibly successful people who feel incredibly entitled, perhaps justifiably, but I don't want to be around viciously entitled people.

If one of my heroes comes to me and says, 'Do you want to work on something?' I just say, 'Yes.' I don't ask for details; I don't expect to get paid anything. I just love working with my heroes.