There is a lot of music in the world that I love that does not always get the appropriate exposure.

I guess the most emotional part is when I have that moment when I end up writing something that I really, really love. So not only is there the emotional connection with the music that's being created, but there's also the magic of the fact that you're essentially creating something from nothing.

There's a fairly extensive network of musicians on tour who are all trying to stay sober, and we generally reach out to each other and offer support when and where we can.

Over time, I started becoming more aware of the vastness and complexity of the universe, which led me away from any sort of conventional Christianity. I still love the teachings of Christ, but I also believe that the human condition prevents us from having any true objective knowledge of the universe. All human belief systems are inherently flawed. If I had to label myself now, I'd call myself a Taoist-Christian-agnostic quantum mechanic. Also, there's nothing in the actual Bible that limits a Christian in their interest in science. Anti-science is a function of ignorant fundamentalism.

When I do have time to work on music, I'm kind of selfish, and would rather work on my own stuff than someone else's.

New York is such a competitive place; it tears people apart. People come here and, if they can't make it in the first month, they get torn apart and they have to go back to where they came from. I don't think that's terribly healthy.

When I was growing up, albums were my closest friends, as sad as that may sound - Joy Division's 'Closer,' or Echo and the Bunnymen's 'Heaven Up Here'... I had a more intimate relationship with those records than I did with most of the people in my life.