I like noise. It's always puzzled me why one of the goals of contemporary recording is to get rid of noise and to eliminate any element of a performance.

I learned in the last few years that it's really unhappy and really unsustainable to try and base your well being on something as arbitrary as record sale and critical acclaim and the interests of the public. All of those things are so fickle. So my approach now to music is I want to make records that I love, and I hope that other people love them, then that's OK.

I feel compelled to make art that on one hand reflects and sometimes almost creates like a sense of comfort when confronted with the strangeness of the world.

So in 1987 I gave up all animal products and became a vegan. Simply so that I could eat and live in accordance with my beliefs that animals have their own lives, that they're entitled to their own lives and that contributing to animal suffering is something that I don't want to be a part of.

There's really no reason for any musician, writer, actor to ever take themselves seriously. If you work in a needle exchange, take yourself seriously. You're doing good work. If you're involved in hostage negotiations and saving lives, you can have a sense of entitlement.

I realized the universe is 15 billion years old and unspeakably complicated. I still love the teachings of Christ, but I also believe that the human condition prevents us from having any true objective knowledge and understanding of the universe.

There's an aesthetic theme, which is cities at two o'clock in the morning. Not cities packed with people going out to clubs and dancing but desolate, empty streets. It's off-putting but there's a strange comfort to it as well, that desolate urban environment.