There's an aesthetic theme, which is cities at two o'clock in the morning. Not cities packed with people going out to clubs and dancing but desolate, empty streets. It's off-putting but there's a strange comfort to it as well, that desolate urban environment.

The most emotional part is when I go into my studio every day and pretty much never have an idea of what's gonna happen.

We almost need to cultivate - I hate to sound New Age-y - but to cultivate a positive bias, and really work to focus on those things and notice those things that are wonderful and uplifting.

Because we find somethings distasteful is not justification enough for us to deem them criminal.

Research performed on animals is, by definition, scientifically unsound.

If there is true evil in the world - it is Republican conservatives.

I feel compelled to make art that on one hand reflects and sometimes almost creates like a sense of comfort when confronted with the strangeness of the world.