There are certain songs that if people come up to me and tell me how much that song meant to them, I think, You should have better taste, then, because I don't really like that song.

Why can't a democrat get fired up about protecting the environment and enacting gun control legislation just as right wing republicans get fired up about making sure that children have access to assault weapons and banning 'the Catcher in the Rye' and 'Harry Potter'?

I learned in the last few years that it's really unhappy and really unsustainable to try and base your well being on something as arbitrary as record sale and critical acclaim and the interests of the public. All of those things are so fickle. So my approach now to music is I want to make records that I love, and I hope that other people love them, then that's OK.

It's much easier to have a diversified career as an electronic musician than it is as a drummer. Nothing against drummers. If you're a drummer, you just wait around for people to ask you to play drums. But if you have your own studio and can make music, you have the ability to approach music a lot differently.

I have no perspective as regards my work. One reason I put out records and books is people respond to it, and it enables you to actually see the work more clearly. It's a form of therapy for me. Sometimes abusive therapy.

I like to quote Homer Simpson: 'I'm like a chocoholic except for alcohol.' I come from a long line of alcoholics. It's funny because when I first started making records, I was at the tail end of a period of sobriety, so I somehow got this reputation as Captain Sober.

The main thing that excites me and makes me want to get out of bed is the thought of being able to go into my studio to work on music.