When you're signed to a big label you're always in the position of convincing them, especially now because labels are barely keeping the lights on, so getting them to spend a little bit of money is really hard.

You could almost say that throughout human history there are people who can either foresee consequences or who are capable of looking for information and predicting the consequences will happen, but the vast majority of people won't respond to climate change until their city is underwater, food supply is disrupted or everyone around them is dying of zoonotic disease. It's almost like someone dealing with an addiction, like you hope that the person can overcome the addiction before the addiction kills them.

I think there are two types of photographers, those who want to document the world and those who want to create their own world. I am more interested in documenting the world and presenting it to people with the question attached, 'Does this make any sense to you?'

If one of my heroes comes to me and says, 'Do you want to work on something?' I just say, 'Yes.' I don't ask for details; I don't expect to get paid anything. I just love working with my heroes.

David Lynch is my friend, and I love his movies and his art and his music. Few things make me happier than working with him.

When I was fifteen years old, the only distinction in music my friends and I made was [that] there's music made by people with short hair and music made by people with long hair.

The people who get more fame, who get more money, more often than not they are miserable, insecure and on anti-depressants. It's strange that everyone keeps buying into this idea that more success is good, that more fame is good, that more money is good. Yet, we look at the people who have more success, more fame, more money and they're miserable.