There are trade-offs in everything we do in life, and I have accepted that if I would like to be principled - and just principled - my best call would be to sit at home and shut up, because nothing I preached would be connectable to the practice.

The Eurovision Song Contest is by definition apolitical - unless your song criticises Russia, of course.

I am white, male, Norwegian and fairly resourceful. I am indeed among the least suppressed people on earth. If anyone can sing songs without fear, it should be me.

The majority of Russians considered Pussy Riot's stunt to be an act of religious hatred, rather than criticism against the close ties between the President and the Patriarch. So yes, in many ways their message was lost in all the noise. On the other hand, Pussy Riot chose a format that would make sure they would be heard. A silent protest would have failed, or perhaps even led to harsh punishment without much interest from the world around. So they chose a form that would be noticed. Who can blame them for that?

There are trade-offs in everything we do in life, and I have accepted that if I would like to be principled - and just principled - my best call would be to sit at home and shut up, because nothing I preached would be connectable to the practice.

I am afraid of what is happening in the West. In a way, the link between art and politics is about to snap. Music and politics, it seems, are increasingly considered to be separate domains. Music is about making peace, not conflict, they say. And, therefore, it is best to do what is considered normal and uncontroversial. Increasingly, accepting the status quo is a precondition for being considered entertainment, while protest culture is grouped alongside politics.

If politically infused music is denied airplay, music reviews or festival stage time because it is considered "politics" rather than "art", then there will be no music left to ban. It will never reach the surface anyway, not to the larger audience. I believe that there is a high degree of censorship in the west, most importantly in the form of self-censorship among musicians themselves. This is why what you hear on the radio is - increasingly often - pure and toothless entertainment. Almost by definition, there's nothing left in pop music worth banning.