If the dominant political expression that we're seeing right now is of nostalgia and we know that nostalgia won't really work out, what happens is, we become depressed as individuals and societies - when we're depressed, we're much more vulnerable to be taken advantage of by demagogues and xenophobes.

Artists are in the imagining/ prototyping business. Society needs people to be out there thinking of what might be. That cannot be something we just delegate to politicians or technologists.

When the machine of a human being is turned on, it seems to produce a protagonist, just as a television produces an image.

Childbirth changed my perception of my wife. She was now the bloodied special forces soldier who had fought and risked everything for our family.

Our countries are weaker: they cannot protect us from imported goods, they can't protect us from climate change, they cannot protect us from epidemics. These things cross borders. But the kind of cooperation that would protect us from those things was completely lacking and because of this there's been a backlash. People feel vulnerable.

Islamophobia, in all its guises, seeks to minimise the importance of the individual and maximise the importance of the group. Yet our instinctive stance ought to be one of suspicion towards such endeavours. For individuals are undeniably real. Groups, on the other hand, are assertions of opinion.

I think fiction allows you to inhabit new domains and it's you, the reader living in that domain for a few days that results in a deeper understanding as opposed to the novel proclaiming this is what it is right and this is what is wrong.