I don't think the function of writing, at least for me as a fiction writer, is to say to people, "Here's the answer." It's not an op-ed.

When terrorism strikes, divisive anger is a natural response.

The paralysis that we have right now when we think about migration is partly because we can't imagine what the world would look like in the future. So I think it's important for writers and artists to try to imagine that.

I think the most effective forms of critique are ones that establish a common ground for people to occupy, and then appeal to the best nature of people on that common ground.

If we try to 'protect ourselves', our nation-states begin to look like prisons.

Pakistan hasn't been cast in the role of... interesting cultural place or, you know, land of great comedians.

If it takes you seven years to write each novel, you need a patron. And I would rather have my corporate self as my patron than any arts council or bestower of grants.