Certainly, historically, there has been more attention given in the international media to Indian English-language writers than to Pakistani English-language writers. But that, in my opinion, was justified by the sheer number of excellent writers coming from India and the Indian diaspora.

It is remarkable indeed how we human beings are capable of delighting in the mating call of a flower while we are surrounded by the charred carcasses of our fellow animals.

With movement, families get split. With the politicization of religion, spirituality gets diluted. With people intermarrying and falling in love outside of pre-existing defined groups, the tribe is disappearing. I'm not in favor of going back to those things, but you can't take those things away without putting something new in its place. So finding a way to make transience more acceptable, even beautiful is key.

I think that people are going to move. They always have and that's going to continue. The question is, how are we going to deal with it?

For me, writing a novel is like solving a puzzle. But I don't intend my novels as puzzles. I intend them as invitations to dance.

NYC doesn't have a big sign saying "You must love diversity and the rights of all people." And that's not what makes you love diversity in NYC or anywhere. What makes you love diversity is because you live in it and you experience it.

Television has given Pakistan a truly open national forum for the first time in its history. Ideas are debated, leaders are assessed and criticised, and a nation of 170 million people is finally discovering, together, what it thinks.