I think that right now, the global political crisis that we see all over the place has to do with virulent nostalgia. Everywhere, people are talking about taking us back to the good old days. Whether that's the "caliphate," or Britain before the EU, or "Make America Great Again." But, we can't go back and many people wouldn't want to go back even if we could.

My mother has been to Mecca to perform her hajj; my dad hasn't. I come from a very liberal family, so even the people who are outwardly religious tend to subscribe to gender equality, the importance of open-mindedness, all that stuff. My family is generally nonprescriptive.

Writing a novel is like an amusement park or a museum or a city. You go into that place and you have certain experiences and those experiences, hopefully, have some impact on you.

Growing up in Pakistan in the 1980s, I lived in the shadow of a tyrannical state.

I don't listen to music when I write. I need silence so I can hear the sound of the words.

There really still is a deep wound, you know, in the collective psyche of Pakistan. And the violence has left enormous human and emotional and psychic damage. That's not going to go away. But that said, I think I'm cautiously optimistic that we're looking at a better future.

If my daughter wanted to wear a headscarf and dress in a religiously conservative way, I would be heartbroken. But if she were to decide to do that and she were to live in a place where people said she couldn't do that, I would be entirely committed to her right to do so.