Despite everything we know about photo manipulation, a photo is still considered an objective document.

The thing that I hate is that Nicholas Kristof style of writing where it's like, "I saw the poor, they made me so sad. What can I do about sadness? I am so brave." It's just like, shut up, man, shut up.

You can't use a drawing to prove a war crime. A drawing doesn't have that notion that it's proof of a reality. Because of that, you can do all sorts of interesting things in it.

Rohini Mohan read. While she did, I sketched her. She writes with such beauty and violence, and it seemed like the best way to listen was to really watch her, in the way that only drawing someone lets me do.

Innocence is always the state of being untouched. Sometimes it's synonymous with virginity, so sometimes it's quite literal, but sometimes it's more of a mental state of being untouched, of not having seen a lot of the world.

I came in as an established artist. People were hiring me for what I did and for who I was. I think that has given me a vast amount of leeway; I feel so lucky that I came in that way.

I can't reasonably pretend to be a transparent and omniscient narrator who brings no personal perspective. That person doesn't exist.