I barely have time to watch stuff that I'm in, or my friends' stuff. The bar for writing has really elevated and it's really exciting, it's not just parts for 25-year-olds.

In real life, I always look at people and how they walk, or how they carry themselves. I think about the body a lot, in performance.

You can make the audience laugh, be funny and sad at the same time.

You really get a feeling, when you're reading scripts, pretty quickly. Within 20 or 25 pages, you can get a sense of the part. I always think about whether I'm right for it and whether I can do it. If I don't think I'm right for it, it should go to somebody else.

I've got wonderful people I get to work with, and I'm trying to focus on that, instead of worrying about, Aw, who doesn't want to work with me? You focus on the ones who do.

Nobody knows how long you're going to have life on Earth, so you really have to work at being joyous and happy.

I feel like there is this resurgence of amazing roles for women. It's because TV is so good - there are amazing parts for women on TV, and it's upped the game in movies.