I always try to create conflict and drama in my books; it's the engine of the novel.

I guess there's a sort of cycle with writing books. There's all the researching and then the imagining and writing - which is the real job - and then there's always a period when the book comes out and you have to lift your head and venture out.

People always want to identify a writer with their protagonist.

I don't want to get hung up on what 'people,' that nebulous mass, think about me. That's the way to unhappiness, I think.

I always try to create conflict and drama in my books; it's the engine of the novel.

I rarely get a moment to myself, but I love the way that my agenda is dictated by the children, not my work.

Writing is a deeply immersive experience. When the words are flying, the house could be burgled and I wouldn’t notice. I have a low boredom threshold and I like intensity – writing is a way of escaping the quotidian.