I am impatient with directors who don't know what they want, and the way you don't know what they want is because they want to do one more. "Let's do one more." So, "What for?" I guarantee you there's not going to be a change.

I have a problem with writer/directors, personal. I can't work well with both of them on the set, if both of them are giving instructions. Writers tend to be in love with what they wrote. You can't always translate the words into the meaning, sometimes the meaning is better served without the words, difficult to make a writer to try to understand that. It gets, sometimes, tense.

I don't need any more press. I get enough when I work, but environmental causes is one place where you can get me to open my mouth. And put my foot in it if necessary. I think the only thing I do that gives me any bragging rights in terms of energy conservation is sailing. Just using wind power.

One day very soon, we'll be asked: what did we do. And we will say: we did everything we could... we have to... because if we don't there won't be anyone left to ask. We have never faced a crisis this big, that we have never had better ideas to solve. This is our only home. We can choose today to make a world of difference.

"You are the actor, and I understand we already had our sit down, you explained your concept, your view," so I said, "Okay, I'm in your hands." That means that if you've got to nudge me a little bit to the right I move to the right, just from the pressure, weight, but you won't have to touch me at all. You can come and go "Okay, you want me over here a little bit more," so no pressure on us at all that's easy to do.

I understand that when Gary Oldman was in that suit [Batman], sweat would just drip off of him where they had to have holes in the gloves or something.

These walls are funny. First you hate 'em, then you get used to 'em. Enough time passes, you get so you depend on them. That's institutionalized.