If you're playing somebody who is not you, then you can imagine that you are that person. You can feel like he feels, move like he moves, look like he looks - in your own mind.

But I was 22 before I took my first dance class. I had never been athletic, so I was very stiff; I still am. I think what I got mostly from dance was carriage.

I think you have to be left-brained, to a certain extent, to understand science. I can talk about it, but I can't do it.

I feel fine, I don't care who the director is. All you have to do is know what your doing - all of us - everybody in the business - that's all you ask anyone - you know your job, I know mine, let's go do it.

I have a problem with writer/directors, personal. I can't work well with both of them on the set, if both of them are giving instructions. Writers tend to be in love with what they wrote. You can't always translate the words into the meaning, sometimes the meaning is better served without the words, difficult to make a writer to try to understand that. It gets, sometimes, tense.

I do know there are a lot of people who seem to be in my corner, and that's, of course, wonderful. I'm really more interested in the nomination than in the award, because I think the nomination just puts you within a group of outstanding actors.

I've always been a fan of or desired to or responded to variety. I like variety in life, so variety in work is a must.