You can't take credit for talent; you can only take credit for using it.

I like working with directors because I'm really opinionated about what things work and may not work, what audiences like and may not like, (not really) but I do have opinions about things. I like to be able to say them and then have them acted on. The director who responds to me like that, always gets my appreciation. I do appreciate it. What I find is the best directors, no matter what kind of name they have, are like that.

I always knew that someone was going to come at me with a script to play God. It's just one of those things, the way your career is unfolding and all the talk about gravitas etc etc, so I had a strong feeling that someone was going to offer me the part of God. I was totally prepared to say, 'Thanks but no thanks,' unless it was a comedy.

When I was growing up, I didn't see me in the movies except in certain lesser roles. If it wasn't funny, I wasn't there. Then Sidney Poitier came along, and he wasn't funny. He was just good. There's me. So that was my pattern.

Write something insightful. Say Morgan Freeman said it. Win at internet.

Somebody once said to me after I'd done "Deep Impact," "What is it like to play a Black president," and I said, "I didn't play a Black president. I played a president. I just happened to be Black. There's a difference.

I don't have to do anything. The character is shaped on the page.