Language from songs and TV shows feel integral because it helps to create the environment and describe the full picture.

My friends and I have all been super motivated to work and to do the work that we need to and want to and think should be in the world.

And I would stop and take you in, all of you, and when our eyes lock we'd just stare into each other's souls and all of the lost time would come out in the shape of a big smile, a few tears and a tight hug that feels like...I don't know, it would feel like home.

I don't claim to say, "All black women are like me," because they're not.

I always say that my artist statement is to not be afraid to talk about the messiness - the unpleasant feelings and happenings around my life. I also try to convey what it feels like and sounds like and smells like and looks like inside of my particular skin, to move through the world as a black American woman in her mid-twenties. Language from songs and TV shows feel integral because it helps to create the environment and describe the full picture.

Since the election [of Donald Trump], I've been thinking about a lot of theory. Lots of [Michel] Foucault and [Karl] Marx, thinking about different systems, thinking about power. Trying to figure out what I can take and learn from history as a tool for getting through whatever is happening right now, which feels very significant and major.

There's something about us using the word fascism and thinking about, "What is it? What does it mean, and what are the tenets of it?" I've been thinking a lot about folks denying what has happened in history, or just not acknowledging it. I think there's something that's fascist, and something that I think we could probably learn from, in terms of the energy in the world right now.