It's hard to do things like auditions, because you don't want to put weeks of work into just an audition.

I learned to understand the distance a character can be from yourself and how important rehearsal can be to creating a person that feels like a person that isn't you.

One thing about New York is you can understand how you're perceived really easily if you just get on the train, by the way people look at you. But there's still an anonymity in it.

On an average day, I have two things to read in my purse: a book and a play.

As I've started school I have a student-feeling wardrobe and then because I travel a lot, things feel very different for different places and days.

Gun violence is almost promoted onscreen in these huge blockbusters and then sex is still so shocking. But I also can understand that people find it uncomfortable, which I think is cool.

When I moved to New York, I feel like a lot of things widened within my perspective and as I spend some time here - as everyone does when they're that age or a young person - [you] figure out your own ideals or figure out the way you fit into society a little bit more than you did before.