I remember when we were in rehearsals and we were going through it because we rehearsed before we went to Toronto, and it's more of the same. She and I had to deal with a lot of stuff in this movie and we really have to take ourselves there. It actually started in rehearsals, and just revisiting that piece of it all. Just the way Monica is and what she says and the way she looks at me, it really affects me throughout rehearsals and throughout the scenes.

One thing I love about making an ensemble film is that you can have ten people come away from it with ten different messages.

I'm just happy to be working consistently.

I like being New Orleans. Different aspects. You have the lake house. You have a huge, almost plantation-style house, so I like the different elements of the city and what the city has to offer and putting it on the screen.

I've done a lot of different things. I would say, it's really hard for me to say what the ultimate role would be. You look at a film if it comes to you.

I've had some physically challenging roles.

I hate being cold and I hate being wet and around 80% percent of this film I was cold and another 60% I was cold and wet, so it wasn't the best shoot for me.