In the early '90s, when I really started to find my voice, I was reading a lot of books, and I was moved by the writers, like Chinua Achebe, and I wanted to be able to write rhymes that were as potent as what I was reading.

I dreamt that I could paint you with words, but there were no colors bright enough, black or white enough, blue or green enough...they didn't mean enough

Mos Def is a name that I built and cultivated over the years, it's a name that the streets taught me, a figure of speech that was given to me by the culture and by my environment, and I feel I've done quite a bit with that name. [But] it's time to expand and move on.

I'm doing exactly what I was supposed to do. Yeah. I didn't exactly choose this. My own life, if it were up to me, would be very, very quiet. I'd be like a shopkeeper, a book collector, or something like that. I'm not like this. Myself as a performer and an artist is totally different from who I am.

And remember don't high post when you're far from home, and high posting when you're all alone.

I can't control what people think. I'm not trying to manipulate people's thoughts or sentiments. I write all the time. You have to experience life, make observations, and ask questions. It's machine-like how things are run now in hip-hop, and my ambitions are different.

I believe the projects were a social experiment; we were laboratory rats stacked on top of each other, and people just knew, inherently, that there was something wrong. There's not a lot of regard for the property by the residents.