I learned [playing Chuck Berry] that there's something to be said for the courage of conviction, that sense of belief, being bold enough to believe in your vision. And there's a quote that really fits his particular energy. It says - they say don't go where the path may lead, but go where there's no path and leave a trail. I think that's exactly what Chuck did, you know. It's an inspiration to a lot of folks, not just musicians, but people everywhere.

I believe the projects were a social experiment; we were laboratory rats stacked on top of each other, and people just knew, inherently, that there was something wrong. There's not a lot of regard for the property by the residents.

If it's just fame for the sake of being famous, no one even cares about you - and you don't even care about yourself because you're like, "This is so ridiculous."

It's difficult to really be an artist nowadays. People are just on another page. You have a society that needs you to say something, but they don't want to give you the environment to be able to be just a functioning, happy, normal person. It's like, the industry is at odds with you, the society is at odds with you. You start to live in this very confined box where it's like, It's "me" and "them."

It's possible and available to any artist to be himself or herself on their own terms, to be accepted and embraced by black people. You don't have to be a thug to get love from black people.

I began to fear that Mos Def was being treated as a product, not a person, so I've been going by Yasiin since '99. At first it was just for friends and family, but now I'm declaring it openly.

History has proven that it's impossible to crush the artist. There's always gonna be a need for somebody to write a poem or sing a song about something, about life - that makes it real. There's the word that goes beyond the word.