When you start doing comedy, you think to yourself, "I want to be a headliner." And you become a headliner, and you're like, "Oh wait, this isn't what I meant. I meant I want to be a headliner that's famous enough that people come see me specifically." And that's a huge leap, because most of the time most of the audience is there to see comedy in general. They're not there to see you.
Moshe KasherPart of your process of becoming an adult is admitting to yourself that The Doors were a shitty band.
Moshe KasherWhen I first started comedy, before I kind of gained any national prominence, I - in a weird way - went back to that. Marc Maron had me on WTF making fun of me about that when I first opened for him. I had this very kind of hip-hop bravado to me, and I realized that now I've let some of that go in my stage presence, that maybe that was because I had dropped that completely from my life, and when I got onstage I sort of rekindled it. And I think now that it was perhaps a defense mechanism that was left over from those days, which I think is kind of interesting.
Moshe KasherOh, my other goal was that I wanted to talk about this area and this time in history. I wanted to talk about growing up in Oakland, a white kid, from this kind of generation of broken homes and listening to hip-hop.
Moshe KasherSo in that way, fame has become a weirder thing to go after, but the thing about me is I've never been after fame. That sounds clichรฉ, but it's true. I think fame sounds uncomfortable to me, but being able to like write this book and make my living doing very exciting, creative stuff sounds really amazing. It has been really amazing.
Moshe Kasher