So in that way, fame has become a weirder thing to go after, but the thing about me is I've never been after fame. That sounds cliché, but it's true. I think fame sounds uncomfortable to me, but being able to like write this book and make my living doing very exciting, creative stuff sounds really amazing. It has been really amazing.

There's all this evidence that we leave now of our life, especially if you're a comedian or an entertainer. I mean, I guess that was always kind of true, but now there's a lot more. We leave a deeper trail. Like a snail trail of our memories, you know? But it's not really about arousal. It's about artistic droppings.

I learned as a really young kid, when my dad was telling me one story and my mom was telling me another that, even as a 5-year-old boy, there was no way that both of these stories are true. Something in the middle is true, and I have to figure out what it is, what the truth is, and I never did quite figure that out.

When you're reading, you're laughing and not quite noticing what's happening. One second you're still kind of chuckling, and then all of sudden you're in the third act of the book and in this very dark and claustrophobic place.

I got a naughty thrill out of listening to music that was that dirty, especially being that young and able to listen to it around my parents. Kids would come over to my house to listen to Too $hort records.

In keeping with the theme of "I got my hands on," my brother and I would listen to The Diceman Cometh. That was the dirtiest thing we'd ever heard, and we could listen to that at full volume without fear of penalty, because my mom couldn't hear that either. I wasn't a huge comedy fan growing up, but I definitely listened to Andrew Dice Clay a lot.

There's a deeper conversation to be had on guns, and just because I happen to know where I fall into that conversation doesn't mean that I don't want to have that conversation.