You see further behind you, and you get a chance to see further down the road. I could make a project come out in two years because I can put money aside to wait until that time to do it. That's only because I've had the opportunity to write and put out music every day.

Longevity is a huge factor in becoming separate from the mass of people that are just starting, or don't have any friends in the same realm, or don't really have the foundation. So it's good and bad, it's easy and it's hard. It's really what you make of it. Because if it's truly something that you really enjoy and obsess over, then waiting 10 years or waiting 30 years shouldn't be that big of a deal for you. As you get older and as you work harder, you see further down the road.

Sometimes artists can have the same sound, but they can give you a show that makes you see it in a completely different way.

You Australian guys have your own way of speaking about music, you guys have your own way of enjoying music. You certainly have a very energised creative and cultural centre. Everyone I meet in Australia has a very unique soul... There's a lot of culture out there, and I meet a lot of nice people.

Honestly, if you talk to a lot of artists that have either made it or have done something in music, chances are they'll tell you their family was in music too. Or one of their parents was in music. Or they had a fat record collection or something. Yeah, I owe everything to that.

You see further behind you, and you get a chance to see further down the road. I could make a project come out in two years because I can put money aside to wait until that time to do it. That's only because I've had the opportunity to write and put out music every day.

I think the key to really jumping out of that idea of saturation is longevity. I think that's the number one thing that allows artists to develop themselves more, is if they constantly do it. If you continue to put out consistently then your name will be known over a longer period of time.