Beauty consists of its own passing, just as we reach for it. It’s the ephemeral configuration of things in the moment, when you see both their beauty and their death. ...Does this mean that this is how we must live our lives? Constantly poised between beauty and death, between movement and its disappearance? Maybe that’s what being alive is all about: so we can track down those moments that are dying.

What makes the strength of the soldier isn't the energy he uses trying to intimidate the other guy by sending him a whole lot of signals, it's the strength he's able to concentrate within himself, by staying centered. That Maori player was like a tree, a great indestructible oak with deep roots and a powerful radiance- everyone could feel it. And yet you also got the impression that the great oak could fly, that it would be as quick as the wind, despite, or perhaps because of, its deep roots.

A man who farts in bed . . . is a man who loves life.

If, in our world, there is any chance of becoming the person you haven't yet become...will I know how to seize that chance, turn my life into a garden that will be completely different from my forebears'?

In our world, that's the way you live your grown-up life: you must constantly rebuild your identity as an adult, the way it's been put together it is wobbly, ephemeral, and fragile, it cloaks despair and, when you're alone in front of the mirror, it tells you the lies you need to believe.

People aim for the stars, and they end up like goldfish in a bowl. I wonder if it wouldn't be simpler just to teach children right from the start that life is absurd.

What makes the strength of a soldier isn't the energy he uses trying to intimidate the other guy by sending him a whole lot of signals, it's the strength he's able to concentrate within himself, by staying centered.