When I put my big retrospective together in '96 [for the Whitney Museum of American Art, New York], I saw that there were all these pictures of people inside looking out. All these pictures of women in water and mirrors. I don't know what it means.

The thing that drives me most crazy in the world is not to be believed.

I like it [Rotterdam] much better than Amsterdam which is too much like a postcard. It's too cute for me. Rotterdam is more real, it's got a stomach.

I have no ambivalence about myself wearing make-up or designer clothes but I have an enormous ambivalence about what the fashion world has done to women.

I like Stella [McCartney] a lot - she's a very open and warm person. I don't particularly want to know about her background.

She has that kind of baby face, a very young face. So I was interested in working with Kate [Moss].

My work is mostly about memory. It is very important to me that everybody that I have been close to in my life I make photographs of them.