My work is received more intelligently in Europe.
The camera is as much a part of my everyday life as talking or eating or sex.
One of my assistants, a British man, says I should find a platform for [cosmetic industry]. Meanwhile I wear make-up.
If I do continue to do fashion, I would want to radicalise it.
I'm very flattered when people I respect like my work. It's like a dream of a little kid when somebody I idolised likes my work.
I used to think that I could never lose anyone if I photographed them enough. In fact, my pictures show me how much I’ve lost.