I have the freedom of seeing it [churches and paintings of saints] with a non-Catholic eye without the guilt.

She has that kind of baby face, a very young face. So I was interested in working with Kate [Moss].

I never read theory. I think that was to my benefit.

I've been alone for about eight years and it doesn't bother me.

I usually work really instinctively and it's afterwards that I think about what it means. I don't know consciously that I have these themes that run through my work.

I'm not ashamed of my body and you know everything in the fashion world, if I was vulnerable to it, could drive me crazy. I think it produces so much self-hatred.

I start to paint my walls. And I'm heavily influenced by films.