The complete disregard for the camera's presence indicates its complete saturation in their lives. The subject neither notices nor seems to care that someone has been invited into their private moment.

She has that kind of baby face, a very young face. So I was interested in working with Kate [Moss].

I shot for French and British Vogue. The British Vogue one featured clothes by Chloe and was shot at Highgate and the John Soane Museum. It came out much better in my opinion. I only did one day and was working with my own make-up and hair people and a model who I've known for years.

I never read theory. I think that was to my benefit.

I've become really interested in the landscape but not as landscape but more as it relates to mood and how we live and how the outside impacts on the inside. I didn't really look at the outside world during the years I was photographing the Ballad as I was locked inside my house and I lived totally inside.

I used to think that I could never lose anyone if I photographed them enough. In fact, my pictures show me how much I’ve lost.

I think it killed my sister as the times she was living in were so conformist. This is a subject I really want to deal with. I want to start making films about female rage.